After 3days on a loaded MRT with in total 40 performers, 4children and 2dogs, its a wrap ! #cuttocuttocutto! Many thanks for this great TaipeiCrew & D.o.P. Mink Pinster.
More info soon!
The Non-Present Performer is the beginning of a research by performer and filmmaker Karel van Laere. The need to ‘step out for a while’ is addressed from his fundamental love for movement. It’s the prelude to a video art work Van Laere will complete beginning of 2018 together with D.o.P. Mink Pinster in Taipei, Taiwan.
On Monday, October 30, there was a one time performance in Zaal3 in The Hague. Under influence of hypnosis, Van Laere temporarily lent his body to dancers Amos Ben Tal, Milena Twiehaus, Yvan Dubreuil and Francesco Barba, unconsciously forming a part of the research. After, there was an aftertalk with hypnotist Joris Waayer, anaesthetist Rutger van Leersum, the dancers and the audience present.
30 oktober | 20:30
Locatie: Zaal 3 | Constant Rebecqueplein 20a | The Hague
Tickets | 5eu http://zaal3.nl/agenda/the-non-present-performer/
The Non-Present Performer is made possible by ‘Het Fonds Podium Kunsten en Zaal 3’.
In September 2017, I held my first solo exhibition in the industrial setting of the Electricity Factory in The Hague. Screening: Slow Rise, Contact, Paralysis, Largo and Slow. The exhibition was connected to the theatrical performance ‘Untitled2017’ by Nineties Productions.
Pictures by Maurice Haak #thisisthehague
From 12 December 2017 until the 28th of February 2018 Ill be working on a new production ‘In BETWEEN’ in Taipei, Taiwan.
Crew: DOP/ Editor: Mink Pinster|Production Taiwan: Mina Ping Wang|Coaching: Aernout Mik, Marcel Roijaards, John de Weerd| Line producer: Lin Wei-Lung
‘IN BETWEEN’ is made possible by the Fonds Podium Kunsten & ZAAL 3
What a Week! Slow Rise was part of the Salone Del Mobile at the Rossana Orlandi gallery. Over 20.000 people visited the gallery wich gave alot of new opportunities and contacts for my work. Now back in The Hague Ill start working on my next new project ‘The Non-Present Performer’. Premiere end 2017~ #salonedelmobile2017 #slowrise #gallery #rossanaorlandi #karelvanlaere #milano
Great time at The Bucharest International Experimental Film Festival BIEFF screening #Paralysis 29 march 2017 at Cinema Elvire Popesco and 30 March 2017 20:30 in Cinema Muzeul Taranului~ #BIEFF2017 #aftertalk#Bucharest #Romania more info: http://www.bieff.ro/ro/2017/filme/paralysis Photo’s Ionut Dobre & Didi Elena
On the 11th of March percussionist & Producer: Frank Wienk and I will be part of a Cinedans #ArtistTalk 10:30 at Eye Amsterdam ~> more info: http://cinedans.nl/festival/festival-2017/#karel-frank-nl
#reservations: firstname.lastname@example.org #ontbijtje #eyefilmmuseum #artisttalk #bink #cinedans #slowrise
The presentation of my video-artwork Slow has been stopped after several complaints
The work was only on view for a couple of hours
Multiple people associated the visual image with the refugee-crisis
and claimed the work to be ‘inappropriate’
Unfortunately I’m unable to trace the complaints to their source
Art should lead to debate, not towards censorship
official trailer: https://vimeo.com/82505078
Very honoured with the #nieuwemakers support of Fonds Podium Kunsten. Can’t wait to start working together with #TheateraanhetSpui & #Zaal3 on several new performances in #2017 and #2018. Special thanks: John de Weerd & Cees Debets
Great honour to work with all these people: [Taiwan 🙏🏼 Holland] Mina Hsu Ping Wang, Mink Pinster, Frank Wienk, Lin Wei-Lung, Peter van Til, Shao-Che Lee, Bo-yu Huang, Danielle Boelling, Encore Pan,Sun Ping, Wu Dar Kuen, I-Hua Lee, Odele Tseng
Slow Rise en Contact were made possible by: Het Stimuleringsfonds Creatieve Industrie, The Taipei Artist Village & Stroom Den Haag. 🙏🏼 🙏🏼 #ddw16 #INPO #stimuleringfonds#slowrise #contact #Taipei #Eindhoven
After months of preparation I finally got permission to shoot my new work ‘Slow Rise’ at Taipei Main station.
Working with a great team of 6 alot of equipment and thousands of Taiwanese passengers is was a very busy day.
Im very pleased with the results. Mink Pinster ( DOP & Editor) and I will start editing soon.
First tryout is planned already on sept 8 at Taipei Artist Village Bamboo Studio.
Slow, Paralysis and Largo are screened at TAV’s group exhibition.
● 策展人 Curator／沈菲比 Phebea Chun-yi Shen
● 參展藝術家Artists／黃文海 Wenhai HUANG、韋雷娜・伊塞爾 Verena ISSEL、金芝嬉 Jihee KIM、Junya Kataoka X Rie Iwatake 片岡純也 X 岩竹理恵、卡爾‧范‧拉爾 Karel van LAERE、劉陽 Yang LIU、走路草農藝團 Walking grass agriculture
● 開幕茶會 Opening／8.12(Fri.) 19:00
● 開幕表演 Opening performance／8.12(Fri.) 19:30
● 展覽地點 Venue／台北國際藝術村，百里廳 Taipei Artist Village, Barry Room
● 展覽日期 Exhibition Date／8.12(Fri.)-9.4(Sun.) 11:00-21:00 (Closed on Monday)
● More Info／http://goo.gl/znyEcL
My first Taiwanese review by: 沈菲比
From July 10th until September 30th I will be artist in residence at the Taipei Artist Village in Taiwan working towards a new video artwork SLOW RISE – video installation
During my studies in Taiwan I was struck by the organized ways people moved in the metropole of Taipei City. Millions of people travel in Taipei using both the roads and the underground transport system. It feels a bit like a well orchestrated chaos.
During my visits to other Asian countries, Japan and Korea, I sensed a comparable discipline.
I am fascinated by these seemingly endless choreographies of people. During my studies in Taipei I often have watched these streams of people. Queuing for the bus is a normal thing to do for Taiwanese people. Back in The Netherlands I noticed the differences in the use of the public space between Dutch people and Taiwanese people.
One of the best spots to observe people on the move in Taiwan are the escalators in the Taipei Main Station. I would like to explore the contrast between the escalator’s mechanized movement and human movement in a video artwork. The video installation, working title: SLOW RISE, shows people on an escalator. Although the people are standing and resting, they are nevertheless moved up by the escalator.
It is the contrast of the moment of resting and the movement within a modern city. The people passing on the escalators will differ from each other in age and lifestyle. By staging some additional scenes I will add some alienation effects to the images, for example by introducing some strange characters. I will also show the difference of the use that is made of the escalators, sometimes things are quiet, but when metros arrive, the escalators get packed with people. The video will be shown without music, thus stressing the importance of the image. The onlookers are forced to watch the behaviour of the people in the video.
Like with my previous work SLow (made in Taiwan) I want to present a combination of stillness and dynamics. Asia is getting more and more important, not just economically but also culturally. For me this aspect of Asia is also present in the video installation. People are upwardly mobile moved by the mechanics of escalators.
Saturday 21 Nov-2015, 18pm. performer and filmmaker Karel van Laere started with his preliminary survey research for his short film Largo. Largo combines images of a body that is being towed through various landscapes with soundtracks of interviews with persons who are completely paralyzed.
In order to experience what it is to be completely paralyzed, Karel was fastened onto a table, lying motionless for 24 hours. The final 2 hours of this project (sunday 22, 16:00-18:00 pm.) were open for a selected audience.
Behind the scene pictures by: Ed Jansen
DEN HAAG – Tijdens een feestelijke avond in Pulchri Studio is op vrijdag 28 november 2014 de eerste lichting winnaars van de Piket Kunstprijzen bekroond. Uit handen van juryvoorzitter Rinus Sprong ontving elke jonge winnaar een cheque t.w.v. 8000 euro en een sculptuur van kunstenaar Vittorio Roerade. De winnaar van de Juryprijs ontving een sculptuur.
Frederik Hendrik Piket (1927-2011), advocaat en lid van de Eerste Kamer voor de CHU (later CDA), was een groot liefhebber van vooral dans-, toneel- en schilderkunst. Na zijn overlijden ontstond een stichting die jaarlijks drie jonge, veelbelovende kunstenaars wil stimuleren met een prijs.